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Why some comic adaptations failed: Iron Man 2, Punisher: War Zone, Superman Returns, Hulk

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Why some comic adaptations failed: Iron Man 2, Punisher: War Zone, Superman Returns, Hulk

HollywoodNews.com: Actor Tom Hiddleston wrote an eloquent essay yesterday for The Guardian basically praising and defending the sub-genre known as the superhero picture. Plenty of disdain for the genre comes from the very notion that it’s big-budget entertainment based on literature that was technically intended for children that gobbles up production dollars and screen space that otherwise might be allotted for more explicitly grown-up fare. But at least some of the alleged weariness of this specific type of film (the superhero comic book adaptation) comes from a feeling that all-too many of them are basically telling the same story. You’ve generally got the standard origin story which (let’s be honest) basically takes Richard Donner’s Superman: The Movie and pours it into a different color bottle (I say that as a big fan of Spider-Man and Captain America). Then you have the sequels, which are quite often merely a case of escalation and/or the hero dealing with self-doubt often while in combat with a ‘bigger/badder’ version of himself (again, thank you Superman II). But over the last twenty years or so, there have been a handful of high-profile comic book films that have attempted to play around with the formula but have artistically failed anyway. As a rebuttal to the idea that ‘all superhero movies are the same’ as well as a reaffirmation of the idea that ‘it’s not what it’s about, but how it’s about it’, let’s take a look at five comic book adaptations that didn’t play it safe, but didn’t come out on top either. Batman & Robin (1997) I would argue that it’s a sign of maturity among film pundits and critics when they are finally adult enough to realize that Joel Schumacher’s Batman & Robin is not the worst film ever made. Peel away all the attempted camp, the self-depreciating homoerotic jokes, the terrible lead performance from Arnold Schwarzenegger and you’re left with simply a good story told very poorly. As the fourth film in a franchise, Schumacher and company had a bit more leeway in terms of where they wanted to take their film this time around. And as such, they told a rather thoughtful tale of an adult and sane Bruce Wayne trying to figure out how to be an appropriate head to his surrogate family. No longer wracked with guilt over his parents’ deaths, Wayne [...]

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